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「南部の野蛮人」の到来

Unknown (Japanese) · Cleveland Museum of Art · c. 1600

Right screenLeft screen
Arrival of the Southern Barbarians, left-hand screen
The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Detail of The Black Ship (kurofune) on Arrival of a Portuguese ship Arrival of a Portuguese ship Detail of The Black Ship (kurofune) on Arrival of the Southern Barbarians Arrival of the Southern Barbarians Detail of The Black Ship (kurofune) on Namban Screens (Nanban byōbu) Namban Screens (Nanban byōbu) Detail of The Black Ship (kurofune) on Nanban byōbu Nanban byōbu Detail of The Black Ship (kurofune) on Nanban byōbu Nanban byōbu Detail of The Black Ship (kurofune) on Nanban byōbu (Southern Barbarians) Nanban byōbu (Southern Barbarians) See all 7 examples → Compare side by side →
Cleveland Museum of Art (CC0)

Object

Artist
Unknown (Japanese)
Date
c. 1600
Period
Momoyama–early Edo
Collection
Cleveland Museum of Art
Location
Cleveland, OH
Materials
Ink, color, and gold on paper
Format
Pair of six-panel folding screens (byōbu)
Provenance
Cleveland Museum of Art 1960.193.1–.2; Sakamoto cat. 49

日本に到着するポルトガル人商人や宣教師を展示する6つのパネルスクリーン。