O Barco Negro (Kurofune)

7 occurrences across 7 screens

O nao português lançando âncora em Nagasaki, um ponto de entrada de composição recorrente através do corpus.

Across the corpus

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Nanban byōbu (Southern Barbarians)

Right screen · Kanō school, 17th c. · Rijksmuseum

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu Arrival of the "Southern Barbarians" Arrival of the Southern Barbarians Nanban byōbu Arrival of a Portuguese ship Namban Screens (Nanban byōbu) See all 7 examples → Compare side by side →

Nanban byōbu

Right screen · Attributed to Kanō Dōmi, c. 1593–1602 · Museu Nacional de Arte Antiga

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu (Southern Barbarians) Arrival of the "Southern Barbarians" Arrival of the Southern Barbarians Nanban byōbu Arrival of a Portuguese ship Namban Screens (Nanban byōbu) See all 7 examples → Compare side by side →

Arrival of the "Southern Barbarians"

Left screen · Unknown (Japanese), c. 1600 · Cleveland Museum of Art

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu (Southern Barbarians) Nanban byōbu Arrival of the Southern Barbarians Nanban byōbu Arrival of a Portuguese ship Namban Screens (Nanban byōbu) See all 7 examples → Compare side by side →

Arrival of the Southern Barbarians

Right screen · Kanō Naizen, c. 1600 · Kobe City Museum

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu (Southern Barbarians) Nanban byōbu Arrival of the "Southern Barbarians" Nanban byōbu Arrival of a Portuguese ship Namban Screens (Nanban byōbu) See all 7 examples → Compare side by side →

Nanban byōbu

Right screen · Kanō Naizen, c. 1600 · Museu Nacional de Arte Antiga

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu (Southern Barbarians) Nanban byōbu Arrival of the "Southern Barbarians" Arrival of the Southern Barbarians Arrival of a Portuguese ship Namban Screens (Nanban byōbu) See all 7 examples → Compare side by side →

Arrival of a Portuguese ship

Right screen · Kanō school, ca. 1620–1640 · Asian Art Museum, SF

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu (Southern Barbarians) Nanban byōbu Arrival of the "Southern Barbarians" Arrival of the Southern Barbarians Nanban byōbu Namban Screens (Nanban byōbu) See all 7 examples → Compare side by side →

Namban Screens (Nanban byōbu)

Right screen · Attributed to Kanō Sanraku, early 17th century · Suntory Museum of Art

The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Nanban byōbu (Southern Barbarians) Nanban byōbu Arrival of the "Southern Barbarians" Arrival of the Southern Barbarians Nanban byōbu Arrival of a Portuguese ship See all 7 examples → Compare side by side →