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A chegada dos “barbaros do Sul”

Unknown (Japanese) · Cleveland Museum of Art · c. 1600

Right screenLeft screen
Arrival of the Southern Barbarians, left-hand screen
The Black Ship (kurofune) The Black Ship (kurofune) The Portuguese nao dropping anchor at Nagasaki, a recurring compositional entry point across the corpus. Detail of The Black Ship (kurofune) on Arrival of a Portuguese ship Arrival of a Portuguese ship Detail of The Black Ship (kurofune) on Arrival of the Southern Barbarians Arrival of the Southern Barbarians Detail of The Black Ship (kurofune) on Namban Screens (Nanban byōbu) Namban Screens (Nanban byōbu) Detail of The Black Ship (kurofune) on Nanban byōbu Nanban byōbu Detail of The Black Ship (kurofune) on Nanban byōbu Nanban byōbu Detail of The Black Ship (kurofune) on Nanban byōbu (Southern Barbarians) Nanban byōbu (Southern Barbarians) See all 7 examples → Compare side by side →
Cleveland Museum of Art (CC0)

Object

Artist
Unknown (Japanese)
Date
c. 1600
Period
Momoyama–early Edo
Collection
Cleveland Museum of Art
Location
Cleveland, OH
Materials
Ink, color, and gold on paper
Format
Pair of six-panel folding screens (byōbu)
Provenance
Cleveland Museum of Art 1960.193.1–.2; Sakamoto cat. 49

Um par de telas de seis painéis mostrando comerciantes e missionários portugueses chegando ao Japão. imagens de acesso aberto (CC0) do Museu de Arte de Cleveland.